Spider-Man: Homecoming (2017)
[The scene] feels like a reference to Norman Osborn carving the turkey in the first Spider-Man, which also had the same nerve-racking, dramatic irony.
When they’re in the car there’s some interesting lightning choices going on. Notice how there’s this red, demonic light glowing from the stop light as he starts to figure out who Peter is, and then after a moment the light switches to green, which in a way is even more menacing. […] the green light signals that in this moment he has transformed from slightly intimidating dad to murderous supervillain, the Volture.
Ned + hats